Enthralls

Three years ago, writer-director Rose Glass’ feature film debut, Saint Maud, justly received plaudits for its disturbingly deep dive into faith, fanaticism, and insanity. Her second film, Love Lies Bleeding, a queer neo-noir set in 1989 New Mexico, continues Glass’  exploration of psychological extremes, specifically the not-unfamiliar iteration of love, usually, but not exclusively romantic, […]